The proposed Ring House consists of a cylindrical volume embracing a rectangular one. The cylinder acts as a protective closed wall with a single narrow opening serving as the entrance, while the inside rectangle accommodates fluidly all the house functions necessary for the everyday life of the artist: a bedroom, a bathroom, a living room, a kitchen and an atelier. The interior space interacts smoothly with the serene outdoor atrium, a large terrace garden with one symbolic tree and a circular water feature.
The key feature of this building is a massive portico that floats over the school gardens. The structure arises from the combination of the two programmatic requirements. The need to create an institutional iconic image, and the inclusion of a set of amphitheatres. The result is achieved in one of the largest concrete structures in the world. In an article published in the Design Magazine, CC Sullivan wrote: Montenegro's School of Technology and Management never fails to create opportunities for reflection. The theatricality and grandeur are unmatched elsewhere...
Rising Moon is a temporary pavilion designed to serve as an anchor attraction during the 2013 Hong Kong Mid-Autumn Festival. It re-interpret traditional paper lanterns with recycled plastic bottles on the same time creating a Synthetic Moon, thus promoting the message of environmental protection. Rising Moon offered strong visual impact with sound and lighting effects externally and internally. The design received the Gold Award at the Lantern Wonderland Design Competition.
systematically pieced together using six panels of reeds, the ‘yoshi bar’ by japanese designer naoya matsumoto resembles a traditional gabled roof stall. situated at the seian university of arts and design in otsu, shiga, japan, the small shelter is held in place by the natural fibers, which are grown in biwako, shiga. the different panels are unable to stand alone, but when placed next to each other they are supported to form the intimate enclosure. offering snatched glimpses through to its interior, the sculptural piece has an enchanting quality to it.
Some of the most fulfilling designs are those embedded and contextualised in their local culture. It was the designer’s intent from the outset to reflect, in the architectural expression, the vibrant nature of Asia, Hong Kong and Wanchai. The shading device on the hotel façade resembles a dragon; the glass bottomed cantilevered pool is considered as a pearl often associated with dragons. The hotel design also provides legibility at both the City (macro) and Human (micro) scale.
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